Wednesday, June 17, 2009
Monday, July 28, 2008
I am conditioned, weathered, maintained - NO TOURISTS!
[6:17:45 PM] Marnie Orr says:
Query:
How is this body different from a tourist body?
It is conditioned, weathered, maintained.
MAKE IT SO
Query:
How is this body different from a tourist body?
It is conditioned, weathered, maintained.
MAKE IT SO
Developing choreographic material
To further develop choreographic material by increasing composition or dynamic:
Working with elements (as described above) will take the tool of Points of Intrigue a step further --- discover/identify the most intriguing PROPERTY of each element eg. the pattern of an ant's trail / or the ant's speed with directional changes. Or both. Use this process to cover the foundational choreographic principles to begin the creation of dynamic:
- trajectory (straight lines)
- meanders (curved, unduly lines like a river)
- points (turning on the spot, or still)
- direction (still or moving)
Working with elements (as described above) will take the tool of Points of Intrigue a step further --- discover/identify the most intriguing PROPERTY of each element eg. the pattern of an ant's trail / or the ant's speed with directional changes. Or both. Use this process to cover the foundational choreographic principles to begin the creation of dynamic:
- trajectory (straight lines)
- meanders (curved, unduly lines like a river)
- points (turning on the spot, or still)
- direction (still or moving)
Repetition & Familiarity
Repeat a trail. Track the difference as familiarity overcomes the unknown.
I believe this repetition will keep us accountable to the act of 'unstitching complete sense'.
I also believe we must tap into the local knowledge. i feel it is our duty.
I believe this repetition will keep us accountable to the act of 'unstitching complete sense'.
I also believe we must tap into the local knowledge. i feel it is our duty.
Groundwork outdoors applied
Detail:
- Enter unknown terrain within an 'approach aware' state --- notate own body experience & body residence/residue/resistance/resting place
And then in any order, at a later or immediate stage:
- Identify and map senses of terrain: on paper / in the dirt / say it / move it / share it. I would suggest the naming of things can work greatly here. Not always.
- How can I expand and elongate that sense, that state? How can I sit in it? What properties of this element will make this sense more encompassing (choice of speed, proximity/distance, time taken embodying this, etc in relation to the specific terrain)? Or less encompassing? How do I unweave this state, this sense? What parts make up the sum of this experience?
- What props (costume, camera frame, angle, time of day etc) will bring that sense to the forefront, that will resonate with the relation between the sources of the terrains (both body & country)? This is all about extending the time and space of the sense to enable it to breathe and hold life & dynamic.
- Repeat the mapping process again - refine. Can the mapping (from whatever medium it has surfaced - movement, voice, photograph etc) be repeated in another terrain? Indoors? That is, how does it transfer to another space?
- Enter unknown terrain within an 'approach aware' state --- notate own body experience & body residence/residue/resistance/resting place
And then in any order, at a later or immediate stage:
- Identify and map senses of terrain: on paper / in the dirt / say it / move it / share it. I would suggest the naming of things can work greatly here. Not always.
- How can I expand and elongate that sense, that state? How can I sit in it? What properties of this element will make this sense more encompassing (choice of speed, proximity/distance, time taken embodying this, etc in relation to the specific terrain)? Or less encompassing? How do I unweave this state, this sense? What parts make up the sum of this experience?
- What props (costume, camera frame, angle, time of day etc) will bring that sense to the forefront, that will resonate with the relation between the sources of the terrains (both body & country)? This is all about extending the time and space of the sense to enable it to breathe and hold life & dynamic.
- Repeat the mapping process again - refine. Can the mapping (from whatever medium it has surfaced - movement, voice, photograph etc) be repeated in another terrain? Indoors? That is, how does it transfer to another space?
Emanating ROCKface process: Structure
Structure to play within
- SL warm up circle --- acknowledge own body
- Morning training --- condition the body --- include speed/timing work --- develop essence processes --- memory based free impro --- start property transfer skills with size play then add other properties --- DEVELOPS CHOREOGRAPHIC MATERIAL
- Manipulations --- identify with other body
- Groundwork indoors --- identify with other body, & places, by 1st developing understanding of working within structured parameters (of space & time & movement)
- Groundwork outdoors --- same, expanded. Skills become applied through real experience.
- Become informed - historical/geological/geographical/cultural significance of area/location.
- OBA's - Open Body Actions based on inhabitation. Utilising the developed skills for free play/work time.
- SL warm up circle --- acknowledge own body
- Morning training --- condition the body --- include speed/timing work --- develop essence processes --- memory based free impro --- start property transfer skills with size play then add other properties --- DEVELOPS CHOREOGRAPHIC MATERIAL
- Manipulations --- identify with other body
- Groundwork indoors --- identify with other body, & places, by 1st developing understanding of working within structured parameters (of space & time & movement)
- Groundwork outdoors --- same, expanded. Skills become applied through real experience.
- Become informed - historical/geological/geographical/cultural significance of area/location.
- OBA's - Open Body Actions based on inhabitation. Utilising the developed skills for free play/work time.
Activities toward embodying terrain
[3:23:33 PM] Marnie Orr says:
- Points of Intrigue
- Drop|Snap - Body/Place Relation & Justyna's Relation to Objects - inside & outside, will work up nicely to Drop|Snap
- Wind applied
- Bisoku
- Blindfold - lead w string - Pairs & Solo in unknown terrain
- Bag of Bones
- Square work
- Points of Intrigue
- Drop|Snap - Body/Place Relation & Justyna's Relation to Objects - inside & outside, will work up nicely to Drop|Snap
- Wind applied
- Bisoku
- Blindfold - lead w string - Pairs & Solo in unknown terrain
- Bag of Bones
- Square work
Outcomes in many mediums
Outcomes - Potential
- Raw choreographic material - Written & Recorded
- Vignettes of movement / Vignettes of voice/sound
- Footage
- Stills - triangulating body|camera|country
- Poetry/written word and notes
- Raw choreographic material - Written & Recorded
- Vignettes of movement / Vignettes of voice/sound
- Footage
- Stills - triangulating body|camera|country
- Poetry/written word and notes
Where does the colonial body reside in me?
[3:16:37 PM] Marnie Orr says:
Content of Unstitching Complete Sense
Exploring identity in unknown country
Where does the colonial body reside in me?
What approach is my physical state when I enter unknown country?
Is it okay for me to be here? How do I know? Where do I know this from inside my body?
Is it okay to photograph this country?
How can I acknowledge this country, innocent & naive as I am?
How can I approach this country in harmony?
Content of Unstitching Complete Sense
Exploring identity in unknown country
Where does the colonial body reside in me?
What approach is my physical state when I enter unknown country?
Is it okay for me to be here? How do I know? Where do I know this from inside my body?
Is it okay to photograph this country?
How can I acknowledge this country, innocent & naive as I am?
How can I approach this country in harmony?
Landscape is a framed notion
[7/25/2008 12:38:40 PM] Cristina says:
initiation
being initiated into a land
landscape is a framed notion
based on my perspective
.. different from intricately a part of something larger than myself
country has a yersterday and a tomorrow and emotions and sensations
inseperable to the whole
[7/25/2008 12:43:31 PM] Marnie Orr says:
a few images or a song or a scape of imagination as the next port of call. metanarratives interwoven into this landscape
initiation
being initiated into a land
landscape is a framed notion
based on my perspective
.. different from intricately a part of something larger than myself
country has a yersterday and a tomorrow and emotions and sensations
inseperable to the whole
[7/25/2008 12:43:31 PM] Marnie Orr says:
a few images or a song or a scape of imagination as the next port of call. metanarratives interwoven into this landscape
Alice Springs to Darwin, 14-28 August 2008
[7/21/2008 5:01:51 PM] Marnie Orr says: Synchronise logistics with our aims
[7/21/2008 5:07:52 PM] Marnie Orr says: http://en.travelnt.com/advice/maps/alice-springs-to-uluru-ayers-rock.aspx
[7/21/2008 5:09:33 PM] Marnie Orr says: http://www.wilmap.com.au/atts/emily_gap.html
[7/21/2008 5:09:44 PM] Marnie Orr says: http://maps.bonzle.com/c/a?a=p&p=25593&cmd=sp&place=Emily%20Gap&file=Emily_Gap.htm
[7/21/2008 5:16:24 PM] Cristina says: arriving on the 14th
olgas on the 17th, 18th and heading back to Alice on the 19th
heading to Katherine on the 20th
[7/21/2008 5:26:42 PM] Marnie Orr says: arriving on the 14th
olgas on the 17th, 18th and heading back to Alice on the 19th
heading to Katherine on the 20thCheck out Emily Gap on way to Yulara (Uluru National Park)
Mon 18th - Olgas for the full moon, 18th.
Tues 19th - Re-stock at Alice (5hours drive)
[7/21/2008 5:26:49 PM] Cristina says: http://www.whatsondarwin.com/info/driving.html
[7/21/2008 5:27:10 PM] Marnie Orr says: arriving on the 14th
olgas on the 17th, 18th and heading back to Alice on the 19th
heading to Katherine on the 20th
[7/21/2008 5:27:48 PM] Cristina says: http://www.darwinfestival.org.au/index.php?option=com_content&view=category&layout=blog&id=35&Itemid=53
[7/21/2008 5:46:47 PM] Marnie Orr says: arriving Alice on the 14th
stay at Caroline’s on Mon 14th
make connections with artists in Alice on morning of Tues 15th
Check out Emily Gap on way to Yulara (Uluru National Park) on afternoon of Tues 15th
Olgas/Yulara on the 16th, 17th, 18th (full moon on 18th)
and heading back to Alice Springs (& Emily Gap if desired) on the Tues 19th (5hours drive)
Heading to Macdonnell Ranges or straight towards Katherine & Kakadu on the 20th
Arrive Darwin on Sun 24th to 28th
[7/21/2008 5:07:52 PM] Marnie Orr says: http://en.travelnt.com/advice/maps/alice-springs-to-uluru-ayers-rock.aspx
[7/21/2008 5:09:33 PM] Marnie Orr says: http://www.wilmap.com.au/atts/emily_gap.html
[7/21/2008 5:09:44 PM] Marnie Orr says: http://maps.bonzle.com/c/a?a=p&p=25593&cmd=sp&place=Emily%20Gap&file=Emily_Gap.htm
[7/21/2008 5:16:24 PM] Cristina says: arriving on the 14th
olgas on the 17th, 18th and heading back to Alice on the 19th
heading to Katherine on the 20th
[7/21/2008 5:26:42 PM] Marnie Orr says: arriving on the 14th
olgas on the 17th, 18th and heading back to Alice on the 19th
heading to Katherine on the 20thCheck out Emily Gap on way to Yulara (Uluru National Park)
Mon 18th - Olgas for the full moon, 18th.
Tues 19th - Re-stock at Alice (5hours drive)
[7/21/2008 5:26:49 PM] Cristina says: http://www.whatsondarwin.com/info/driving.html
[7/21/2008 5:27:10 PM] Marnie Orr says: arriving on the 14th
olgas on the 17th, 18th and heading back to Alice on the 19th
heading to Katherine on the 20th
[7/21/2008 5:27:48 PM] Cristina says: http://www.darwinfestival.org.au/index.php?option=com_content&view=category&layout=blog&id=35&Itemid=53
[7/21/2008 5:46:47 PM] Marnie Orr says: arriving Alice on the 14th
stay at Caroline’s on Mon 14th
make connections with artists in Alice on morning of Tues 15th
Check out Emily Gap on way to Yulara (Uluru National Park) on afternoon of Tues 15th
Olgas/Yulara on the 16th, 17th, 18th (full moon on 18th)
and heading back to Alice Springs (& Emily Gap if desired) on the Tues 19th (5hours drive)
Heading to Macdonnell Ranges or straight towards Katherine & Kakadu on the 20th
Arrive Darwin on Sun 24th to 28th
We are pilgrims through time
[7/6/2008 12:42:19 PM] Marnie Orr says: Read this:
[7/6/2008 12:42:34 PM] Marnie Orr says: http://books.google.com.au/books?id=i_w9eYtlsrsC&pg=PA18&lpg=PA18&dq=Pilgrim+identity&source=web&ots=xbiFvkq3JK&sig=1W0vTtRLS1JkK0HMZbhDjDq-Z1E&hl=en#PPA20,M1
[7/6/2008 12:43:41 PM] Marnie Orr says: On page 20, with the paragraph starting, "We are pilgrims through time" - talking about one person's experience of the desert and identity... very interesting indeed! Z. Bauman.
[7/6/2008 12:42:34 PM] Marnie Orr says: http://books.google.com.au/books?id=i_w9eYtlsrsC&pg=PA18&lpg=PA18&dq=Pilgrim+identity&source=web&ots=xbiFvkq3JK&sig=1W0vTtRLS1JkK0HMZbhDjDq-Z1E&hl=en#PPA20,M1
[7/6/2008 12:43:41 PM] Marnie Orr says: On page 20, with the paragraph starting, "We are pilgrims through time" - talking about one person's experience of the desert and identity... very interesting indeed! Z. Bauman.
'Places not are, they happen, and are by definition embodied' (Edward Casey)
[7/4/2008 6:50:17 PM] Cristina says: adaptation and creativity.. in terms of the mind as well as the brain...
[7/4/2008 6:50:27 PM] Cristina says: consciousness..
[7/4/2008 6:53:09 PM] Marnie Orr says: bOWEN tHERAPY LOOKS AT Biology & evolution. Having a response instead of a reaction. using neo-cortex rather than reptilian brain.
[7/4/2008 6:53:57 PM] Marnie Orr says: The brain stem being the oldest part of the brain. We would share our reptilian brain with lower order beings
[7/4/2008 6:59:38 PM] Marnie Orr says: i am here
[7/5/2008 8:08:32 AM] Cristina says: "place" refers to the location of the performance venue within the social space of the community and the historical and cultural resonance of this locale for the community in question.
[7/5/2008 8:10:10 AM] Cristina says: where am i ..really..
[7/5/2008 6:32:18 PM] Marnie Orr says: Places not are, they happen, and are by definition embodied (Edward Casey)
[7/5/2008 6:32:33 PM] Cristina says: both the performance space and the spectator's sensations are necessarily
"emplaced" ... and the emplacement is a dynamic part of the meaning
making process.
[7/5/2008 6:32:50 PM] Cristina says: pg 2
[7/5/2008 6:33:04 PM] Cristina says: just extracting favorites
[7/5/2008 6:33:07 PM] Marnie Orr says: you are here in my loung room with me
[7/5/2008 6:33:13 PM] Cristina says: same
[7/5/2008 6:33:35 PM] Marnie Orr says: and how place differs from country:
[7/5/2008 6:34:06 PM] Marnie Orr says: “People talk about country in the same way that they would talk about a person: they
speak to country, sing to country, visit country, worry about country, feel sorry for
country, and long for country. People say that country knows, hears, smells, takes
notice, takes care, is sorry or happy. … (C)ountry is a living entity with a yesterday,
today and tomorrow, with a consciousness, and a will toward life."
[7/5/2008 6:34:23 PM] Cristina says: i'm just orientating myself around this thinking..
[7/5/2008 6:34:24 PM] Marnie Orr says: ... Deborah Bird Rose, 2001
[7/5/2008 6:34:56 PM] Marnie Orr says: i am just embodying my brain around my muscles
[7/5/2008 6:35:12 PM] Marnie Orr says: IN my muscles
[7/5/2008 6:35:31 PM] Marnie Orr says: tendons blood spinal fluid
[7/5/2008 6:35:44 PM] Cristina says: ah.. plac
[7/5/2008 6:35:52 PM] Cristina says: place even
[7/5/2008 6:36:10 PM] Marnie Orr says: i reckon
[7/5/2008 6:36:53 PM] Marnie Orr says: "I don’t dance in the place, but I am the place."...
[7/5/2008 6:37:06 PM] Marnie Orr says: ... Min Tanaka, 1988.
[7/5/2008 6:41:18 PM] Cristina says: ah...what are his feet or body or place being supported by then..
[7/5/2008 6:41:50 PM] Marnie Orr says: surely it would still be the place?
[7/5/2008 6:42:40 PM] Cristina says: haha.. of course.. surely..
[7/5/2008 6:42:52 PM] Marnie Orr says: ...this is a pertinent question lasantolin...
[7/4/2008 6:50:27 PM] Cristina says: consciousness..
[7/4/2008 6:53:09 PM] Marnie Orr says: bOWEN tHERAPY LOOKS AT Biology & evolution. Having a response instead of a reaction. using neo-cortex rather than reptilian brain.
[7/4/2008 6:53:57 PM] Marnie Orr says: The brain stem being the oldest part of the brain. We would share our reptilian brain with lower order beings
[7/4/2008 6:59:38 PM] Marnie Orr says: i am here
[7/5/2008 8:08:32 AM] Cristina says: "place" refers to the location of the performance venue within the social space of the community and the historical and cultural resonance of this locale for the community in question.
[7/5/2008 8:10:10 AM] Cristina says: where am i ..really..
[7/5/2008 6:32:18 PM] Marnie Orr says: Places not are, they happen, and are by definition embodied (Edward Casey)
[7/5/2008 6:32:33 PM] Cristina says: both the performance space and the spectator's sensations are necessarily
"emplaced" ... and the emplacement is a dynamic part of the meaning
making process.
[7/5/2008 6:32:50 PM] Cristina says: pg 2
[7/5/2008 6:33:04 PM] Cristina says: just extracting favorites
[7/5/2008 6:33:07 PM] Marnie Orr says: you are here in my loung room with me
[7/5/2008 6:33:13 PM] Cristina says: same
[7/5/2008 6:33:35 PM] Marnie Orr says: and how place differs from country:
[7/5/2008 6:34:06 PM] Marnie Orr says: “People talk about country in the same way that they would talk about a person: they
speak to country, sing to country, visit country, worry about country, feel sorry for
country, and long for country. People say that country knows, hears, smells, takes
notice, takes care, is sorry or happy. … (C)ountry is a living entity with a yesterday,
today and tomorrow, with a consciousness, and a will toward life."
[7/5/2008 6:34:23 PM] Cristina says: i'm just orientating myself around this thinking..
[7/5/2008 6:34:24 PM] Marnie Orr says: ... Deborah Bird Rose, 2001
[7/5/2008 6:34:56 PM] Marnie Orr says: i am just embodying my brain around my muscles
[7/5/2008 6:35:12 PM] Marnie Orr says: IN my muscles
[7/5/2008 6:35:31 PM] Marnie Orr says: tendons blood spinal fluid
[7/5/2008 6:35:44 PM] Cristina says: ah.. plac
[7/5/2008 6:35:52 PM] Cristina says: place even
[7/5/2008 6:36:10 PM] Marnie Orr says: i reckon
[7/5/2008 6:36:53 PM] Marnie Orr says: "I don’t dance in the place, but I am the place."...
[7/5/2008 6:37:06 PM] Marnie Orr says: ... Min Tanaka, 1988.
[7/5/2008 6:41:18 PM] Cristina says: ah...what are his feet or body or place being supported by then..
[7/5/2008 6:41:50 PM] Marnie Orr says: surely it would still be the place?
[7/5/2008 6:42:40 PM] Cristina says: haha.. of course.. surely..
[7/5/2008 6:42:52 PM] Marnie Orr says: ...this is a pertinent question lasantolin...
Wednesday, July 2, 2008
Desert Trip - ... like the earth is open and the universe is right here
... like the earth is open and the universe is right here
internal mapping
recognizing my time in space according to the land
the height and variations of valley to hill
opening up a system - you're hacking into a system and changing it - UNSTITCHING COMPLETE SENSE
theta healing
felt sense - focusing
continuum
cranio-sacral therapy
Cris - understands theta healing as - the universe has access and it hears your call and is healing you. pure love
extra-therapeutic factors
is when they pull all the stats from all therapies - the part most helpful to clients, most healing is factors outside of healing - because you are seeking help.
strengthening human collective resolve in the earth
not healing the earth or sustaining ourselves through sustainability
its about adaptability..
how we adapt
interest in strengthening human capacity to change ..
spiritual, psychological and behavioural ability to adapt.. beyond the human body because we may not be here physically
directly related to this is beleif in people to be creative innovative and re-evaluate themselves, own needs and environment constantly
key word: creativity
issue: illusion of separation.. fundamental error in human psyche
Marnie doesn't sense a way forward through healing alone.. we need to look beyond the past and have some fun along the way
metaphor: walk hand in hand
internal mapping
recognizing my time in space according to the land
the height and variations of valley to hill
opening up a system - you're hacking into a system and changing it - UNSTITCHING COMPLETE SENSE
theta healing
felt sense - focusing
continuum
cranio-sacral therapy
Cris - understands theta healing as - the universe has access and it hears your call and is healing you. pure love
extra-therapeutic factors
is when they pull all the stats from all therapies - the part most helpful to clients, most healing is factors outside of healing - because you are seeking help.
strengthening human collective resolve in the earth
not healing the earth or sustaining ourselves through sustainability
its about adaptability..
how we adapt
interest in strengthening human capacity to change ..
spiritual, psychological and behavioural ability to adapt.. beyond the human body because we may not be here physically
directly related to this is beleif in people to be creative innovative and re-evaluate themselves, own needs and environment constantly
key word: creativity
issue: illusion of separation.. fundamental error in human psyche
Marnie doesn't sense a way forward through healing alone.. we need to look beyond the past and have some fun along the way
metaphor: walk hand in hand
Desert Trip - process unpacked
Meta-narratives –
Cris - Big blanket or patchwork quilt spinally interwoven. Each thread is finely intertwined. The signposts OR patterns or weaves are readable.
Marn - Word strings that have simultaneous meanings that we can apply to different levels of life.
I am interested to finely define
A fine practice
The cross-stitch and unstitching it and weaving it back together. New possibilities.
New definitions.
Wind activity
It brings the cause and effect to a readable forum through kinaesthetics.
The invisible becomes visible
The world can not show but point to it. Gives us a sense. Arouse a sense.
SENSE METAPHOR FRAME PORTAL LISTEN
Metanarratives is our starting point for process.
Unstitching is our process.
Cris wants to know more about Marnie’s interest in Cris’ psychotherapy writings (I think that’s what you meant)
Let’s look at boundaries.
Cris wants to ‘see myself in a portal, walking slowly towards camera'.
Isabella on Denton – interviewed as an elder. She wants to do something outside of herself.
Outside myself.
Knows this too well. Wants to come back into the frame. Within without.
Walking into the camera. Has that many horizons.
Take 45 minutes from a pinprick to taking up the whole screen.
Marnie wants to direct Cris to stay in the corner of the frame.
Cris wants to write back to Marnie.
Different from speaking direct. I love playing with words. Allows me to dip – into this legacy of what people have left behind.
Living outside of ourselves but also bringing things in.
Add to Itinerary:
We need a stopwatch / timer. And a whistle. I have a first aid kit and a special hyperthermia blanket that really keeps you warm too. Also we could do with a proper compass. I have a dodgy one. Also I have this cool compact screwdriver with pliers as a big pocket knife type-thing. I have decent map of the roads. A topographic map could be interesting but hard to get good ones in Australia. Not essential, just interesting for the creative mapping process. Plus we could draw on it.
How do I navigate surrounded by horizons?
Distort my time and being.
Try and find a name for the project:
- Unstitching myself inside out
- How do I navigate surrounded by horizons?
- Unstitching complete sense
Cris - Big blanket or patchwork quilt spinally interwoven. Each thread is finely intertwined. The signposts OR patterns or weaves are readable.
Marn - Word strings that have simultaneous meanings that we can apply to different levels of life.
I am interested to finely define
A fine practice
The cross-stitch and unstitching it and weaving it back together. New possibilities.
New definitions.
Wind activity
It brings the cause and effect to a readable forum through kinaesthetics.
The invisible becomes visible
The world can not show but point to it. Gives us a sense. Arouse a sense.
SENSE METAPHOR FRAME PORTAL LISTEN
Metanarratives is our starting point for process.
Unstitching is our process.
Cris wants to know more about Marnie’s interest in Cris’ psychotherapy writings (I think that’s what you meant)
Let’s look at boundaries.
Cris wants to ‘see myself in a portal, walking slowly towards camera'.
Isabella on Denton – interviewed as an elder. She wants to do something outside of herself.
Outside myself.
Knows this too well. Wants to come back into the frame. Within without.
Walking into the camera. Has that many horizons.
Take 45 minutes from a pinprick to taking up the whole screen.
Marnie wants to direct Cris to stay in the corner of the frame.
Cris wants to write back to Marnie.
Different from speaking direct. I love playing with words. Allows me to dip – into this legacy of what people have left behind.
Living outside of ourselves but also bringing things in.
Add to Itinerary:
We need a stopwatch / timer. And a whistle. I have a first aid kit and a special hyperthermia blanket that really keeps you warm too. Also we could do with a proper compass. I have a dodgy one. Also I have this cool compact screwdriver with pliers as a big pocket knife type-thing. I have decent map of the roads. A topographic map could be interesting but hard to get good ones in Australia. Not essential, just interesting for the creative mapping process. Plus we could draw on it.
How do I navigate surrounded by horizons?
Distort my time and being.
Try and find a name for the project:
- Unstitching myself inside out
- How do I navigate surrounded by horizons?
- Unstitching complete sense
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